Daft Punk’s Random Access Memories, five years on – a future-disco car crash which never stopped flaming

This week Daft Punk’s Random Access Memories turns an incredible five years old. I grappled awkwardly with the record at the time – penning the below review for Time Out – and was both on and off the money. Yes, … Continue reading Daft Punk’s Random Access Memories, five years on – a future-disco car crash which never stopped flaming

How Jan Garbarek, Anouar Brahem and a Moroccan (mis-)adventure kick started my lifelong love affair with ECM records

I can distinctly remember the first time I heard the playing of Anouar Brahem, because the circumstances were so cinematically odd. As a wanderlust-struck student, sitting outside a cheap café in Tangier, Morocco – a day after completing a three-week … Continue reading How Jan Garbarek, Anouar Brahem and a Moroccan (mis-)adventure kick started my lifelong love affair with ECM records

Why writing about jazz is maybe just a little bit like ‘dancing about architecture’ – @robgarratt on jazz

The oft-quoted dictum that “writing about music is like dancing about architecture” – credited variously to sources from Laurie Anderson to Frank Zappa, but attributed by scholars to comedian Martin Mull – is, of course, clap-trap. Words carry meaning more … Continue reading Why writing about jazz is maybe just a little bit like ‘dancing about architecture’ – @robgarratt on jazz